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Ordesa (Spanish Edition)
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About the Author
Manuel Vilas (Barbastro, 1962) es poeta y narrador. Entre sus libros de poesía destacan El cielo(2000), Resurrección (2005; XV Premio Jaime Gil de Biedma), Calor (2008; VI Premio Fray Luis de León), Gran Vilas (2012; XXXIII Premio Ciudad de Melilla) y El hundimiento (2015; XVII Premio Internacional de Poesía Generación del 27). Su poesía reunida se publicó en 2010 con el título de Amor, y su Poesía completa en 2016. Es autor de las novelas España (2008; Punto de Lectura, 2012), que fue elegida por la revista Quimera como una de las diez novelas más importantes en español de la primera década del siglo XXI, Aire Nuestro (Alfaguara, 2009; Premio Cálamo), Los inmortales (Alfaguara, 2012) y El luminoso regalo (Alfaguara, 2013). También ha escrito libros de relatos como Zeta (2014) y Setecientos millones de rinocerontes (Alfaguara, 2015). Ha recopilado sus estados de Facebook en el libro Listen to me (2013). En 2016 se editó la crónica Lou Reed era español. Su último libro publicado es el autobiográfico América (2017). Además de los citados, ha ganado el X premio Llanes de Viajes y el Premio de las Letras Aragonesas (2015). Su obra figura en las principales antologías nacionales tanto de poesía como de narrativa. Escribe habitualmente en prensa.
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Product details
Paperback: 392 pages
Publisher: Alfaguara (March 19, 2019)
Language: Spanish
ISBN-10: 9788420431697
ISBN-13: 978-8420431697
ASIN: 8420431699
Product Dimensions:
6 x 1 x 9.4 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
3.2 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#154,937 in Books (See Top 100 in Books)
Llevo solo un 30% del libro, y tal vez lo termine en ratos libros, solo para ver hasta donde llega la estupidez del autor y de sus seguidores. Lo que llevo es aburrido, absurdo. Un tipo de mi edad (50 y tantos) y lloriqueando todo el santo libro, párrafo tras párrafo, sobre sus papá y su mamá fallecidos.Ya habÃa yo leÃdo comentarios al respecto, pero no les hice caso y me fuà con la finta de los que le dieron 5 estrellas y hablan maravillas de ésta historia. Craso error. Perdà mi dinero y algo de tiempo. Pero tengo mi lección: hacer más caso de las crÃticas negativas.Un tipo que a esa edad, todo un vejete, con una vida muy vivida, divorciado, con hijos, y está hiper traumadÃsimo porque sus papis lo dejaron al morir, es digno de lástima, está enfermo verdaderamente, necesita un siquiatra o que lo encierren en una institución, más que simpatÃas hacia su "sensibilidad".Para mà es un personaje más digno de reproche que de lástima. Que se dedique a ayudar a sus hijos en vez de estar lloriqueando tanto por sus padres que vivieron ya lo suyo.Si te identificas esos sentimientos malsanos, cómpralo. Pero si estas cuerdo y eres maduro, no malgastes tu dinero, hay historias mucho, pero muchÃsimo mejores que ésta historia enferma y sentimentaloide.
I am stunned at the positive reviews and the bookstore success of this book. Vilas struck me as the worst table companion to be stuck with at a dinner party. "I, I, I...". "me... me... me..." seems to be his relentless theme. He is in love with his own voice, his own pronouncements, declarations, resounding statements, while frequently sententious and pretentious. He does not always seem to examine what he says delivering verdicts of stunning emptiness or banality. "La muerte impide la continuación del envejecimiento..." is one of my favourites but there are similar examples on almost every page. Over 158 chapters he creates a kind of fugue with recurring themes or variations on themes, ageing, death, his divorce, his alcoholism, his failed relationship with his sons, but most of all the exaltation and poeticisation of his parents, presenting them in a way I very much doubt they themselves would empathise with. As the Bard put it: "Methinks the (writer) doth protest too much." It is not long before you recognise the poeticisation of his parents as a kind of narcissitic self-poeticisation, unending. And there is no humour in this book. His practice of giving nicknames of famous composers to his family is next to pointless and quickly irritating. He is very uneven. An encounter with boxer Perico Fernández is promising but is spoiled by the intrusion of the narrator's relentless egocentrism. A page on the death of actor Robin Williams is ill-advised. And a reflection on the German Wings air tragedy is indecent. 20% in I was overcome with tedium, half-way through I wanted to abandon ship... only my determination to finish a book kept me going. So what are its saving graces??? I identified with the narrator, being about the same age, and sharing some of his life experiences... He made me remember my own parents, even while I saw his cloying reminiscence and recollecting as grist to his narcissistic mill... And I liked his pungent provocative commentaries as he skewered fatuities and vacuities, everything from tv quiz shows to relationships to society politics and history, royalty, God, and even existence... While I concluded these commentaries were at bottom strategies to gather attention and shake the reader out of inevitable lethargies. This book is so overly long and overly tedious. But it is its relentless and all absorbing narcissistic egocentrism and exaggerated self-poeticisation which is its most offputting quality. If I am invited to any future dinner party I shall not accept unless I am assured Vilas will not be my table partner... I would not willingly endure him again.
Me deleitó la lectura de Ordesa por su prosa sencilla pero de gran contenido. Los personajes del padre y la madre son muy bien logrados.En ciertos momentos me resultó difÃcil comprender a que se referÃa o tal vez me faltaban elementos de juicio.
Me gusto mucho, el el primer libro que leo de este autor. En este descubrimiento de sus pensamientos y sentimientos de su relación con sus padres ha sido capaz traducirlos en lenguaje muy simple y que nos hace reflexionar. Gracias Manuel por tu libro
Excelente
Desgarrador y bello, con un lenguaje exquisito, una narración de poesÃa pura, con unos pasajes de una fuerza colosal. Muy recomendado.
No me a llegado todavÃa y el rastreo no me presenta donde está.
Un hombre que a sus 50 años echa la culpa a la sociedad y al ejemplo de sus padres la irresponsabilidad de sus actos. Tira por la borda su matrimonio por su alcoholismo y sus aventuras de amantes y después, llora a sus padres como si de los siete años no hubiera nunca pasado. Desconcertante.
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