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All the Birds in the Sky, by Charlie Jane Anders

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Review

"The very short list of novels that dare to traffic as freely in the uncanny and wondrous as in big ideas―I think of masterpieces like The Lathe of Heaven; Cloud Atlas; Little, Big―has just been extended by one."―Michael Chabon“What a magnificent novel―a glorious synthesis of magic and technology, joy and sorrow, romance and wisdom. Unmissable.” ―Lev Grossman, author of The Magicians“Into each generation of science fiction/fantasydom a master absurdist must fall, and it’s quite possible that with All the Birds in the Sky, Charlie Jane Anders has established herself as the one for the Millennials...highly recommended.” ―N. K. Jemisin, The New York Times Book Review"Charlie Jane Anders has entwined strands of science and fantasy, both as genres and as ways of experiencing life, into a luminous novel." ―John Hodgman"Has the hallmarks of an instant classic." ―Los Angeles Times“Genius....My fave read this year.” ―Margaret Cho“Do yourself a favor and go pick up All The Birds in the Sky! You will lurve it.” ―Amber Benson“Thoughtful and hip and fantasy and sci-fi all wrapped up. A+.” ―Felicia Day“Everything you could ask for in a debut novel ― a fresh look at science fiction’s most cherished memes, ruthlessly shredded and lovingly reassembled.” ―Cory Doctorow, BoingBoing“Read it immediately. Thank me later.” ―Laurie Penny“It’s fantastic when someone who is so important in the scifi world can flat-out write as well as critique and analyze.” ―Scott Sigler, New York Times bestselling author of Alive“The craziest thing about Charlie Jane Anders’ book is how it remains so intimate and accessible despite genre jumping. All the Birds in the Sky moves from a coming of age story to a millennial romance and then a dystopia ― and it’s filled with so much of the uncanny. That includes, but is not limited to, a shapeshifting teacher, talking birds and an anti-gravity gun...A truly fun read.” ―New York Daily News“A fairy tale and an adventure rolled into one, All the Birds in the Sky is a captivating novel that shows how science and magic can be two sides of the same coin.” ―The Washington Post“Anyone suffering from midwinter blues should read Charlie Jane Anders’s between-categories fantasy All the Birds in the Sky. The scenario is (almost) Harry Potter, the tone is (quite like) Kurt Vonnegut, the effect is entirely original.” ―The Wall Street Journal“Heartfelt, ambitious, and dynamic. Fantastic stuff.” ―Financial Times“Imagine that Diana Wynne Jones, Douglas Coupland and Neil Gaiman walk into a bar and through some weird fusion of magic and science have a baby. That offspring is Charlie Jane Anders’ lyrical debut novel All the Birds in the Sky.” ―Independent“Highly readable and imaginative, All the Birds in the Sky will sing to Philip Pullman fans.” ―Mail on Sunday“An entertaining and audacious melding of science, magic, and just plain real life that feels perfectly right for our time.” ―BuzzFeed, “5 Great Books to Read in February”“Like the work of other 21st century writers ― Kelly Link and Lev Grossman come immediately to mind ― All the Birds in the Sky serves as both a celebration of and corrective to the standard tropes of genre fiction. [...] Like William Gibson, Anders weaves a thrilling, seat-of-the-pants narrative with a compelling subtext.” ―Elizabeth Hand, Los Angeles Times“Two crazy kids, one gifted in science, the other in magic, meet as children, part and meet again over many years. Will they find love? Will they save the world? Or will they destroy it and everyone in it? Read Anders lively, wacky, sexy, scary, weird and wonderful book to find the answers.” ―Karen Joy Fowler, author of The Jane Austen Book Club"Impossibly hip fiction with the voice and cultural inflections of the millennials.... Often quirky and amusing but rising to encompass a moral seriousness and poignancy...an engaging book." ―The Sydney Morning Herald

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About the Author

CHARLIE JANE ANDERS is the former editor-in-chief of io9.com, the extraordinarily popular Gawker Media site devoted to science fiction and fantasy. Her SF and fantasy debut novel, All the Birds in the Sky, won the 2017 Nebula Awards for Best Novel and was a finalist for the 2017 Hugo Award's Best Novel category. Her Tor.com story "Six Months, Three Days" won the 2013 Hugo Award and was subsequently picked up for development into a NBC television series. She has also had fiction published by McSweeney's, Lightspeed, and ZYZZYVA. Her journalism has appeared in Salon, the Wall Street Journal, Mother Jones, and many other outlets.

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Product details

Paperback: 320 pages

Publisher: Tor Books; Reprint edition (April 11, 2017)

Language: English

ISBN-10: 0765379953

ISBN-13: 978-0765379955

Product Dimensions:

5.5 x 0.9 x 8.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

490 customer reviews

Amazon Best Sellers Rank:

#36,368 in Books (See Top 100 in Books)

I expected to like "All the Birds in the Sky" more than I did. It's a good book, but it's not great.I found the book uneven, and I couldn't figure out of the author intended it as comedy, allegory or drama. If she had stuck with a tone somewhere in the middle, the book would have worked better, but to me, it seems the book seesaws through scenarios intended to be humorous to ones intended to represent current trends in tech to serious and dramatic events. (I mean, how seriously can you take a book that contains the description "suckable-looking nipples" and a character who proclaims, "History is just the flow of time writ large, man"?) Don't get me wrong--I laughed occasionally at the funny stuff and stuck with it to the (ambiguous, sequel-supporting) end, but I never connected with the story and the characters as much as I have other recent books I've enjoyed.I also felt characters were inconsistent to fit whatever situation they happen to be in. One character is reintroduced as an adult, and he's on the cover of every tech magazine and rappelling out of an airship in an Armani suit to present a giant check to a startup in front of an audience of VCs. Okay, so he's a wealthy, tech superstar--got it. Only after that, we find he's crashing in the in-law apartment in a friend's place. So which is it--famous and wealthy wunderkind or struggling startup drone? The answer to that depends on what the author needs the character to be in one context or another.It doesn't help that the plot relies on one big McGuffin and a giant Deus ex Machina to advance the plot, plus features a lengthy section of I think unintended dramatic irony . The McGuffin is the reappearance of a character who powerful people assumed they'd killed and promptly do kill him, but not before the incredibly random meeting sets the plot in motion. The unintended dramatic irony is another character who disappears early in the book and then reappears in what I felt was an obvious fashion but the main characters somehow fail to notice it for 150 pages. (When it is finally revealed, the character comments on how he couldn't believe they had not figured it out, and I audibly said "duh.") And the ex Machina moment comes when a powerful character pops up to heal one character and instantaneously stop a tense moment by incapacitating another. (At how many other points would that powerful magic have come in handy? All. Of. Them.)Lastly, I felt the middle of this story meanders far too long. Not a lot happens in flabby middle section other than some romantic entanglements that ultimately don't add much the plot. Plus, the writer clearly wanted to name-check all the hipster San Francisco spots. Mission, Potrero, Kite Hill, SOMA, Hayes Valley, Pacifica and other places are mentioned for no other reason than to give the novel the techie cred it seeks.This book has some intriguing premises, but it added up to much less than I expected.

This is a writer who has served time in one of the genre’s best known “madhouses”, the blog io9, (actually being its chief warden) and has probably consumed most science fiction and fantasy in her life than an O2 Arena full of SF fans. So, her work “All the birds in the sky” (second novel out of eleven Hugo nominations in the last two years, where a human discusses with cats in… Cat language), has to be reviewed at least fairly, deserving more than the 5-star “you rock” or the 1-star “you suck” Amazon Twitter mentality.So, does Charlie Jane Anders deliver? Yes, yes and no this reviewer thinks. This is not the masterpiece Little, Big where magic is felt rather than shown, but it is not Harry Dresden’s wizardry on steroids either. The two protagonists are likable enough, with a lot of thought from the writer going into their backgrounds and especially their tender years.The story is also satisfying with no unnecessary fat and proceeds at a decent pace. Actually, it really takes off towards the end, at the point where, usually, most science fiction tales (and their poor readers) fall flat on their faces. So, taking into account this is a debut novel too, yes the writer does deliver.However, there are some gray areas, most importantly “geolocation”. This reviewer believes that a work of literature and especially a science fiction/fantasy work should somehow levitate far above the ephemeral, the local and the trivial, whereas, several parts of “All the Birds in the Sky” read like a San Francisco blog. Also, the weird Two Second Time Machine in the beginning of the novel could have been edited out, it just feels out of context.Having said all these, I recommend this novel. A debut to remember.

The premise of this delightful fantasy is that at some point, science and magic have to come together to make sense. Not just to make sense of the world, but to save it. Laurence is the techie, an engineering nerd, who at the start of his teens invents a watch that serves as a two-second time machine: twist the dial and you're moved, instanter, two seconds forward in time. It's not the most useful invention in the world but if a bully is about to punch you in the nose, it has its moments. Patricia picks up a wounded bird in the street and it starts to talk to her. Next, she's talking to a cat. (The cat wants to eat the bird. She scares it away.) And next, she's by a huge spreading tree, its branches loaded with birds. It's Question Time, and if she can answer the question asked by the congregated birds, the little bird she found, whose name is Dirrp, and if not, the bird will die. The questions she's asked is a favorite of the birds. It's the Unending Question, supposedly so because you never can figure out the answer. "Is a tree red?" Try as she can, Patricia can't find the answer. Somehow, the scene blacks out. She's back home, can't talk to any animal again, no magic. At least for a while.Laurence's and Patricia's relationship in high school is troubled: they're drawn together, kind of, but mainly because both are seen by their peers as losers, natural born outsiders. Which they both are. Laurence grows up, becomes involved in a Save the World (It needs it!) project that involves antigravity and worm holes and the quest to move at least some humans off earth to a not yet used up and beaten down new planet. Patricia gains back her magical powers. She's a Trickster, which means a Trader, not a Healer, or so she thinks. She does magic in response to gifts given her by the recipients of her magical favors, which includes tricks like dropping the virus level in a terminal AIDS patient so he never quite dies. The magicians think the world is doomed too but have a different solution to it than the techies. The two groups' projects are in head on collision with each other. Something's got to give and when it does, it's because Laurence and Patricia finally find a way around their differences.Sci fi and fantasy aren't every reader's cup(s) of teas but All the Birds is so well written, the characters so appealing, and the action fast and furious that anyone who likes a lively engaging book should find it a pleasure to read.This isn't a science fiction book. Or a fantasy book either. It's just a *book* book and a good one.

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